GOOD EEEEVENING
It was glorious. Once you got into the rhythm of the series, you felt cozy and warm, even if most of the episodes were about murder.
Hitchcock was a riot in his opening and closing bits -- funny and naughty and adorable and shameless.
I saw Claude Rains cry his eyes out to Charles Bronson; I saw Bronson and Michael Ansara and John Cassavettes and Carolyn Jones and Joanne Woodward and Jerry Paris and Cloris Leachman and Peter Lawford excell in early roles; I saw Barry Fitzgerald play a reluctant Santa Claus; I saw tall, dignified, underappreciated Brit John Williams kill and be killed; I saw two mainstays of the Basil Rathbone/Nigel Bruce "Sherlock Holmes" films of the '40s, Gavin Muir and Gerald Hamer, in the same episode; I saw terrific character roles for Ellen Corby and Thelma Ritter and Estelle Winwood and Mary Wickes and Beulah Bondi and Frances Bavier; I saw Werner Klemperer and John Banner cross paths in the same episode a decade before becoming cohorts in "Hogan's Heroes"; I saw movie stars Raines, Joseph Cotten and Claire Trevor acquiesce to the growing threat that was television; I saw Corby referee a shootout between Gene Barry and Darren McGavin; I saw Jack Mullaney (another overlooked talent, who died tragically young) give amazing performances in three wonky roles, as an alcoholic, a dimwitted stalker and a manic disc jockey.
What I DIDN'T see was many of the twist endings coming. Try as you might to guess how an episode would end, you would inevitably be caught off-guard -- but never have your intelligence insulted.
That was 50 years ago? Those were the days. Today, we have "Dancing With the Stars." Good EEEEvening.
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